Critiques
The Critique submission category will establish a forum for critical and insightful perspectives that challenge the status quo of computing. Submissions must address the conference theme and will be assessed based on their ability to critically dissect, provoke or inspire.
The Critiques track will spark thought-provoking discussions across subject areas, research traditions, and generations. Critiques submission formats include but are not limited to: Essay, creative writing e.g manifestos, stories, fictions, pictorial, artwork e.g software, video games, audio-visual art, theoretical or analytical article, provotype, artifact with networked, generative, and/or programmed elements.
Submitted critiques will be evaluated based on:
- Their ability to critically examine a topic, inspire, and/or spark debate and reflection.
- How well they are made relevant to the conference theme: Computing (X) Crisis and to the decennial perspective.
All submitted critiques will undergo double-blind peer reviews performed by invited reviewers from the program committee. This is complemented by a meta-review, which will be used by the Critiques chairs to make the final decision, in dialogue with the program committee where necessary.
Submission Instructions
All materials must be submitted electronically via PCS, by the deadline.
- Your submission must be anonymized.
- If you submit a non-written artifact, you must submit a PDF abstract with a description of the submission. You may submit the artifact as supplementary material in the submission system.
- If your primary contribution is a piece of writing, we encourage submissions that are no longer than 8000 words (excluding any references).
- Upon acceptance, we will work with you to produce a description of the contribution in the ACM extended abstract format for archival in the ACM digital library.
Accepted critiques will be published in the ACM Digital Library. This will require use of the ACM single-column template described in the Author Guidelines, either for the critique itself or for an abstract about the critique (the latter in case it not be feasible or desirable to format the critique using the template - such as with an interactive artifact, or a piece of writing that has particular formatting as part of its contribution).
Accepted critiques must be presented at the conference. We encourage alternative formats of presentation where appropriate.
Questions can be directed to Ida Larsen-Ledet, or Jussi Parikka
The decennial perspective
The decennial nature of the conference (i.e., that it only happens every ten years) is an opportunity to zoom out and reflect on your contribution and on HCI, computing, and other related areas of research at a bigger timescale, and to look forward with a longer-term perspective than we often do at other conferences. Submissions should embrace this perspective in the thinking they present and the questions they ask.
The Critiques track will spark thought-provoking discussions across subject areas, research traditions, and generations. Critiques submission formats include but are not limited to: Essay, creative writing e.g manifestos, stories, fictions, pictorial, artwork e.g software, video games, audio-visual art, theoretical or analytical article, provotype, artifact with networked, generative, and/or programmed elements.
Submitted critiques will be evaluated based on:
- Their ability to critically examine a topic, inspire, and/or spark debate and reflection.
- How well they are made relevant to the conference theme: Computing (X) Crisis and to the decennial perspective.
All submitted critiques will undergo double-blind peer reviews performed by invited reviewers from the program committee. This is complemented by a meta-review, which will be used by the Critiques chairs to make the final decision, in dialogue with the program committee where necessary.
Submission Instructions
All materials must be submitted electronically via PCS, by the deadline.
- Your submission must be anonymized.
- If you submit a non-written artifact, you must submit a PDF abstract with a description of the submission. You may submit the artifact as supplementary material in the submission system.
- If your primary contribution is a piece of writing, we encourage submissions that are no longer than 8000 words (excluding any references).
- Upon acceptance, we will work with you to produce a description of the contribution in the ACM extended abstract format for archival in the ACM digital library.
Accepted critiques will be published in the ACM Digital Library. This will require use of the ACM single-column template described in the Author Guidelines, either for the critique itself or for an abstract about the critique (the latter in case it not be feasible or desirable to format the critique using the template - such as with an interactive artifact, or a piece of writing that has particular formatting as part of its contribution).
Accepted critiques must be presented at the conference. We encourage alternative formats of presentation where appropriate.
Questions can be directed to Ida Larsen-Ledet, or Jussi Parikka
The decennial perspective
The decennial nature of the conference (i.e., that it only happens every ten years) is an opportunity to zoom out and reflect on your contribution and on HCI, computing, and other related areas of research at a bigger timescale, and to look forward with a longer-term perspective than we often do at other conferences. Submissions should embrace this perspective in the thinking they present and the questions they ask.
Important Dates
Critiques
Critiques Committee
Lily Irani
University of California, San Diego
Katta Spiel
Vienna University of Technology
Christian Ulrik Andersen
Aarhus University
Elinor Carmi
City University, London
Paul Dourish
University of California, Irvine
Tony Sampson
University of Essex
Michael Muller
IBM Research
Rob Comber
KTH Royal Institute of Technology
Angelika Strohmayer
Northumbria University
Joseph Lindley
Lancaster University
Advait Sarkar
Microsoft Research
Winnie Soon
UCL (London)
Søren Pold
Aarhus University
Ranjodh Singh Dhaliwal
University of Basel
Kristina Popova
KTH Royal Institute of Technology
Audrey Samson
l'école de recherche graphique and FRAUD
Eric Snodgrass
Linnaeus University, Sweden
Deepa Singh
University of Delhi
Karey Helms
Umeå Institute of Design, Sweden
Christina Harrington
Carnegie Mellon University
Richmond Wong
Georgia Tech, USA
Warren Sack
University of California, Santa Cruz
Nora O'Murchu
University of Limerick
Olga Goriunova
Royal Holloway, London
Lai Tze Fan
University of Waterloo, Canada
Kristina Andersen
Eindhoven University of Technology
Alexandra (Sasha) Anikina
University of Southampton
Seth Giddings
University of Southampton
Shintaro Miyazaki
Humboldt University, Berlin
Johannes Bruder
Institute Experimental Design and Media Cultures (IXDM), Basel
Nishant Shah
The Chinese University of Hong Kong
Chiara Rossitto
Stockholm University
Marc Hassenzahl
University of Siegen
Gabriel Pereira
University of Amsterdam
Anna Vallgårda
IT University of Copenhagen
Jonas Fritsch
IT University of Copenhagen
Yu-Ting Cheng
National Taiwan University
Katka Černá
Halmstad University
Sarah Homewood
University of Copenhagen